The Postman by David Brin

Hello, Stranger.

Let's talk about David Brin's The Postman.

The Short of It

Plot: Society has already collapsed. But someone needs to deliver the mail... 
Page Count: 339
Award: 1986 Locus SF 
Worth a read: Yes
Primary Driver: (Plot, World, or Character
Bechdel Test: Fail (Slim chance that there's a technical pass, but... I don't think so.)
Technobabble: Minimal to moderate.
Review: I am a sucker for a good grifter, and Gordon Krantz is one of the best. He's one of the few "full" characters here - but I was rooting for him the whole time. The natural evolution of his role is believable; it keeps the story moving. His interpersonal interactions are also good - and the few other characters who are more developed are nicely done. The Postman stumbles when it tries to expand this small-scale story of a survivor to a broader world - pacing, plot, and character all suffer in the home stretch. Can be preachy about American Exceptionalism...


The Medium of It
Spoiler Free!

This is the best and worst of David Brin in one book. He is superb at writing cramped spaces and small stories - I'd watch a bottle episode he wrote for any TV show. What makes these tighter spaces so special - and sets him apart from others - is that he is able to showcase a broader world using these microcosms. At the end of this segment - before the spoiler review portion - I've put a list of a few of my favorite short stories that are able to show off a world within a small, tight story.

In some ways Gordon Krantz feels like a throwback to Brin's work in Sundiver - he's a protagonist who is just really good at all the things. He's an ex-military drama student with an impeccable memory, not to mention charming, good looking, funny, and so on. On the other hand, he actually is charming - as written - and he has flaws. He feels guilt, he feels remorse, he has internal conflicts about whether or not he is doing the right thing. It's a close thing, though. He is a grifter with a heart of gold. So he follows some pretty standard story beats for such characters. "I would be a fool to stick around!" Sticks around.

The plot is, on the whole, solid. We've got a survival story with some nice changes to the form. This structure has a good balance of active protagonist-dictated developments and world-dictated developments to which the protagonist must respond. Closely related: there are plot beats that link in with repercussions of other decisions made... always good to see actions have consequences! That said, as things develop, and the scale of the plot gets bigger and bigger, things just get a bit wonky.

A brief bit on the problems with this book:

By far the weakest part of this is the world. It's hard to create a novel apocalypse. And honestly, if the point is that it's an anarchic wasteland... well, the steps that brought us there do not matter all that much.

There are long-winded explanations of American exceptionalism, the Ideal of America that could pull us through, and so on. These are also often points where Brin treats his audience like a bunch of fools - explicitly explaining the moral of the story to the reader.

All said and done, I liked this one. There were neat ideas, new approaches to how people cope, and a compelling main character driving the story. It just keeps going past the point where it should.

Here's a little bonus list: some of my favorite stories that hint at much broader worlds despite being short and sweet:

"Repent, Harlequin!" Said the Ticktockman by Harlan Ellison
Zima Blue by Alistair Reynolds
Harrison Bergeron by Kurt Vonnegut
The Ones Who Walk Away from Omelas by Ursula K. Le Guin
Billennium by J. G. Ballard 
A related recommendation: Brave New Worlds edited by John Joseph Adams. Not the novel, a collection of dystopian short stories. It's great!

Alright, that was off topic.

Anywho, I had fun with this one. I like the simplicity (of the majority of it) - and I appreciated that it justified having an "impractical degree" - which is definitely not an albatross of mine or nothin' like that, no way no how!

If you're like to get The Postman delivered to you, consider using the link below! I'll get a few cents at no extra cost to you.

The Long of It
Spoilers Ahead!

There is a movie of this starring Kevin Costner that has an 8% rating on Rotten Tomatoes. What?! 

The book opens with a prelude, establishing the world:
It hardly mattered anymore what had done it-a giant meteorite, a huge volcano, or a nuclear war. 

Good! We're accepting that things have fallen apart, and we're movin' on with life! Just kidding. Chapter 3 (of ~40) decides that we need to just pile all the apocalypses together into a layer cake of end times. 

Radiation had been one of his main reasons for going ever westward, since leaving the Dakotas. He had grown tired of walking everywhere a slave to his precious counter, always afraid it would be stolen or would break down. Rumor had it that the West Coast had been spared the worst of the fallout, suffering more, instead, from plagues wind-borne from Asia.

That had been the way with that strange war. Inconsistent, chaotic, it had stopped far short of the spasm everyone had predicted. Instead it was more like a shotgun blast of one midscale catastrophe after another. By itself, any one of the disasters might have been survivable.

The initial “techno-war” at sea and in space might not have been so terrible had it remained contained, and not spilled over onto the continents.

The diseases weren’t as bad as in the Eastern Hemisphere, where the Enemy’s weapons went out of control in his own populace. They probably wouldn’t have killed so many in America, had the fallout zones not pushed crowds of refugees together, and ruined the delicate network of medical services.

And the starvation might not have been so awful had terrified communities not blocked rails and roads to keep out the germs.

As for the long-dreaded atom, only a tiny fraction of the world’s nuclear arsenals were used before the Slavic Resurgence collapsed from within and unexpected victory was declared. 

This then points to the real death of society - Survivalists - who are basically heavily armed, misogynistic, militant cult monsters. 

We step back from all of these big issues for a while, with a sigh of relief, and focus on Gordon's journey. This is the strength of the book, and what makes it, for much of its run, a delight to read. 

“And when you’re all full and you’re ready to talk again, I think we’d all like to hear, one more time, how you got to be a mailman.”

Gordon looked up at the eager faces above him. He hurriedly took a swig of beer to chase down the too-hot potatoes,

“I’m just a traveler,” he said around a half-full mouth while lifting a turkey drumstick. “It’s not much of a story how I got the bag and clothes.”

He didn’t care whether they stared, or touched, or talked at him, so long as they let him eat!

Mrs. Howlett watched him for a few moments. Then, unable to hold back, she started in again. “You know, when I was a little girl we used to give milk and cookies to the mailman. And my father always left a little glass of whiskey on the fence for him the day before New Year’s. Dad used to tell us that poem, you know, ‘Through sleet, through mud, through war, through blight, through bandits and through darkest night…’”

Gordon choked on a sudden, wayward swallow. He coughed and looked up to see if she was in earnest. A glimmer in his forebrain wanted to dance over the old woman’s accidentally magnificent misremembrance. It was rich.

The glimmer faded quickly, though, as he bit into the delicious roast fowl. He hadn’t the will to try to figure out what the old woman was driving at.

“Our mailman used to sing to us!”

After having his stuff stolen, Gordon stumbles upon the body of a mail carrier and takes his clothes. He slowly realizes that this is a great ticket for getting into and out of the few settlements that have come together, reforming after everything fell apart. And to maintain the scam, he needs to actually take the letters people give him. And if he's already traveling to another town... might as well deliver it. It's a well done build - and one that leaves him, despite his planning, as an actual Post-Apocalypse Post-Worker. It's cool! 

At the same time, people see him as a reminder of (and, through some of his scams) representative of the US. Whatever is left, and reforming. He becomes a symbol. This is also done - for the most part - well. The excerpt above is one that I appreciated - he does not need to spell out what it is that people are looking for, simply that seeing a person with a letter bag is sufficient to remind people of better times.

 ...except.

Brin does not believe that we can understand things. He believes that if you lead a horse to water, and it does not drink, you shove a hose into its mouth, just in case.

It was as if the seeds of civilization needed more than goodwill and the dreams of aging high school graduates to water them. Gordon often wondered if the right symbol might do the trick-the right idea. But he knew his little dramas, however well received, weren’t the key. They might trigger a beginning, once in a great while, but local enthusiasm always failed soon after. He was no traveling messiah. The legends he offered weren’t the kind of sustenance needed in order to overcome the inertia of a dark age.

Subtle.

I don't even want to touch the issues with women in this. Let's just say that there's a whole bunch of rape and torture, and it's unclear whether or not the choices made by Brin on how they fight back make them active characters - and thus if it's a positive development - or if it's just messed up. 

My feeling on the end of this - although I have no evidence of this - is that Brin decided that the stakes were too low. A survivor making his way, slowly recreating society as a positive externality of his schemes was just not too much. So we need action and violence! And enemy military! A physical punch up! Enhanced soldiers beating each other to pulp!

Does this feel like the Uplift Trilogy? Sure does. Clever world, good small scale conflicts as a glance at the bigger universe... and then just people punching one another in the face to resolve it. Editor's Note on First Draft: "Conceptually interesting, but in your next draft, we need to take complex issues and settle them with a fist fight."

Again, I sound more down on this that I intended to. I was happy to have read it and voraciously consumed much of it.

Let's settle some problems with words, Stranger.

And don't forget to read a book!

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